Broadway in the ‘Burbs, 2021. Community ensemble photographed by Jennifer Clark.
At Michigan Stage we believe people have more to offer than just their attention. Our goal is to introduce as many people as possible to the powerful benefits of theater.
Our Theater For All initiative presents exciting ways for anyone to engage with live theater, regardless of age, ability or access, helping community members forge social connections, pursue creative lifestyles, nurture a sense of belonging and pride, and establish pathways to a life enriched by the arts and humanities. Our programs provide hundreds of local k-12th graders, plus 50-100 senior citizens access to the powerful social, emotional, and physical benefits of making theater, blending story-telling, improv and play-making, helping participants connect, reflect, and learn from one another. Our productions reach more than 20k audience members annually. Our Theater For All initiative is generously funded by the Community Foundation of Southeast Michigan. Learn More.
OUR STORY
HOW WE DO IT
Our mission is to produce accessible, often mobile theater which celebrates artists, audiences and collaborators while inspiring the communities we serve to explore new cultures and opportunities; Expanding the boundaries of where theater can take us. This mission is guided by our core values:
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We seek to become an unparalleled hub for creative excellence and a home for a new generation of great storytellers. Through Playlabs, and our young professional ensemble, we will continue to be a driving force for new works, while refreshed presentations of classics will challenge our notion of the here and now. We prioritize professionalism at every level. We speak to staff as professionals, never allowing conflict or tension to overrule the joy we share for our mission. We pay all of our staff members and artists professional wages.
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We are committed to an environment that fosters diversity, openness, and integrity. We value mobility and non-traditional spaces which provide new points of access for our audiences. We respect varied backgrounds in work and life experiences. We work directly within our community to create opportunities for social, cultural, and civic engagement through theater. We value operational transparency. We hold ourselves accountable to uphold these core values transparently, providing access to financial records and annual reports.
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Partnering with our schools, community centers and existing institutions allows us to balance artistic innovation with the insurmountable cost of maintaining a venue. Sharing resources, incorporating local talent into nationally-recognized productions and works, and promoting local residences for national artists, are a few of the ways we engage our partner communities.
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We enhance the quality of life in our region by providing creative outlets, and advocating for professional pay for our artists. We invest in local talent and existing venues, preserving the vibrancy of our region’s future. We work with the region's public schools, municipalities, colleges and universities to create professional pathways for performers, technicians, artisans, directors, choreographers, administrators, teaching artists and more. We encourage our community to value theater as a means of economic development for our community and a worthwhile investment, artists as professionals rather than hobbyists, and the arts as a viable career path. (Though we support theater as a hobby too!)
Our first youth Playlab was held at Go Comedy! Improv Theater, in 2021, activating their venue during afternoon hours. We had nine actors, ages 7-13, enroll in what was a weeklong project to create an original play. Using improv and ensemble building, the group created their original play, The Mysterious Murder of Unclemann, later presented to friends and family on the Go Comedy! stage.
Simultaneously that summer we worked with Downtown Ferndale to present Broadway in the ‘Burbs, a free community concert in Ferndale’s new parking garage, featuring Kristen Jeter (The Book of Mormon), Ben Chavez (Aladdin), and Ruthy Froch (Fiddler on the Roof) and a local ensemble of performers and musicians. Later that Fall, we presented the world premiere of Looking Back Through Stained Glass, a rock-and-roll drag musical at Planet Ant in Hamtramck. In February ‘23, Broadway in the ‘Burbs returned with an all-star cast of Ben Fankhauser (Newsies), Brittany Bohn (Back to the Future), José Monge (Waitress, The Marvelous Mrs. Maisel), and Hayley Pulizzi (Looking Back Through Stained Glass) in partnership with Ferndale High School.
Strategic Plan for Sustainability
Developed under guidance of Spark Group Consulting with funding from National Mentoring Resource Center.
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Michigan Stage is a 501(c) 3 Professional non-profit theater arts organization offering year-round programming in Oakland county and surrounding Metro-Detroit communities.
Our mission is to produce accessible, often mobile theater which celebrates artists, audiences and collaborators, while inspiring the communities we serve to explore new cultures and opportunities; Expanding the boundaries of where theater can take us.
We present professional productions, concerts and developmental workshops, and year-round youth and community programs in underutilized arts and community spaces. We employ a mix of professional and amateur artists and educators. We work with our local public schools and municipalities to create an ecosystem for preserving the arts in our region.
Since conception, we’ve been growing our audience organically through youth and community programs. Two years later, we’re impacting hundreds of participants each semester, in partnership with nine regional public schools, multiple public libraries and resident senior living communities, across Oakland, Wayne and Macomb Counties.
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Our mission statement is supported by the following objectives: to be an integral part of the cultural fabric of Southeastern Michigan; to pursue innovative collaboration in every aspect of our work; to establish a Midwestern home for national artists to work alongside local artists; to engage audiences of diverse ages, cultures and economic backgrounds.
This mission is guided by our core values:
Artistic Excellence – We seek to become an unparalleled hub for creative excellence and a home for a new generation of great storytellers. Through Playlabs, and our young professional ensemble, we will continue to be a driving force for new works, while refreshed presentations of classics will challenge our notion of the here and now. We prioritize professionalism at every level. We speak to staff as professionals, never allowing conflict or tension to overrule the joy we share for our mission. We pay all of our staff members and artists professional wages.
Accountability and Access – We are committed to an environment that fosters diversity, openness, and integrity. We value mobility and non-traditional spaces which provide new points of access for our audiences. We respect varied backgrounds in work and life experiences. We work directly within our community to create opportunities for social, cultural, and civic engagement through theater. We value operational transparency. We hold ourselves accountable to uphold these core values transparently, providing access to financial records and annual reports.
Partnerships & Cost Innovation - Partnering with our schools, community centers and existing institutions allows us to balance artistic innovation with the insurmountable cost of maintaining a venue. Sharing resources, incorporating local talent into nationally-recognized productions and works, and promoting local residences for national artists, are a few of the ways we engage our partner communities.
Sustainability – We enhance the quality of life in our region by providing creative outlets, and advocating for professional pay for our artists. We invest in local talent and existing venues, preserving the vibrancy of our region’s future. We work with the region's public schools, municipalities, colleges and universities to create professional pathways for performers, technicians, artisans, directors, choreographers, administrators, teaching artists and more. We encourage our community to value theater as a means of economic development for our community and a worthwhile investment, artists as professionals rather than hobbyists, and the arts as a viable career path. (Though we support theater as a hobby too!)
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Audience Development and Artistic Sustainability.
Realized in phases, over the course of four years - our strategic vision for our artistic growth is to create an ecosystem of programs and productions, to become a regional artistic hub for professional talent, while advancing our mission year-round, developing our audience, and enriching our community through the arts.
Phase 1: Began, Summer ‘21. Achieved Winter ‘23. Build a network of after-school programs and nurture a growing need in our community, simultaneously attracting donors, small grants, and program fee structure.
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Financial Sustainability & Leveraging Resources. Everyone plays a part in our community. There is no one we don’t need.
Phase 2: Begin Fall ‘23. Expand our offerings, leveraging small grants, program fees, and individual gifts, with grant funding to bring our programs into new communities, and new time-frames. Bringing programs into daytime will leverage our roster of teaching artists, providing them full-time living wages rather than part-time salaries.
With new giving strategies, we hope to increase committed monthly donations by lowering the average gift size, and appealing to a younger crowd with our monthly giving campaigns, in addition to diversifying our grant and program income streams, and increasing our income model by adding three new productions.
GOAL 1: Increase monthly support and individual giving by 80%. We seek to diversify our donor database by appealing to younger, more socially conscious donors, at more accessible, recurring levels, and by expanding our volunteer opportunities through two new committees, Development and Special Events.
GOAL 2. Establish Volunteer Committees. Beginning Fall ‘23 Michigan Stage will establish two volunteer committees to advance their mission. Committees will be open to the public.
GOAL 3. Leverage Program Structure and Fees. Pooling funds from our school partners, individual donors, and increasing grant asks, allows us to leverage our current roster of fourteen teaching artists, bringing our existing programs into new communities at different times of day, and impacting new audiences. Fees generated from privately sponsored programs will amortize expenses, providing more sustainable wages for our staff.
GOAL 4. Increase our Grant Asks by 65%. Operational grant funding will support the expansion of our Playlab Programs, leveraging our existing resources, until we can achieve Phase 3 of our Strategic Plan for Sustainability.
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Establish ourselves as an artistic hub with summer season, year-round programs, and community engagement.
Phase 3: Begins Summer ‘24. Establish a summer season of three professional shows, increasing opportunities for our audiences, students, and network of creative professionals, driving economic growth for our region (through payroll and ticket sales), and providing more cultural outlets for our growing future audiences.
Our Performance Partner Network allows us to mount mobile, itinerant productions in place of a traditional theater. We seek underutilized arts venues and community spaces for our programs. In our first season we pioneered this type of partnership by presenting the world-premiere of Looking Back Through Stained Glass at Planet Ant in Hamtramck, which has since been workshopped in New York at the Astoria Performing Arts Center.
We developed our year-round Playlabs in the vacant classroom studios at Go Comedy! Improv Theater during unused hours, and presented our first ever Broadway in the ‘Burbs concert in the new parking garage with Downtown Ferndale. In Winter of ‘23 we revived Broadway in the ‘Burbs activating Ferndale High School’s auditorium during Winter Break.
GOAL 1. New Income Streams. The final phase of our fundraising plan will consist of new income streams, creating sustainable methods for maintaining our program growth. Our focus will be on raising sponsorship funds for three summer productions, and promoting sales to our summer season, featuring professional performers, technicians and crew, and providing further opportunities for local students to shadow professionals by presenting 2-3 professional scale productions. Income generated from these productions will impact our region and continue to fund our year-round Playlabs.
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Need & Evaluation.
In this age of anxiety, students need creative, social and emotional outlets more than ever. We're seeing stunted social development, lack of impulse control across all programs. Teens operate on the social level of 4th graders; outbursts in class, constant use of phones, inconsistent attendance (oftentimes mirrored by, or learned from parental units). Rampant anxiety is only escalated by social media, mounting political unrest in the world, and economic hardships. We were founded in 2021, during the height of the pandemic. The rapid growth of our programs is a direct extension of these social issues, and how our curriculum addresses them. Our Teaching Artists serve as consistent, affirming mentors and role models. We provide activities that help participants to further explore their individual interests and to express themselves creatively when feeling stifled, lost, or frustrated. Building an ecosystem of support to raise confidence in the student’s abilities and expand the possibilities for where their futures can take them.
Loneliness in children is really interesting. They recognize loneliness doesn't mean no one else is around. It represents a disconnect. Playlabs are a strengths-based arts program. We meet our students where they are—regardless of ability or experience, affirming their positive attributes, and inspiring them to be compassionate to themselves and others throughout the creative process.
More than 15 million students—including approximately 3.7 million middle schoolers—are alone and unsupervised between 3 and 6 p.m., the peak hours for juvenile crime and risk experimentation. Incidences of violent crimes committed by youth peaks in the hours immediately following the end of the school day. The hours after school are lost opportunities to help students grow and develop the skills and competencies to make positive life decisions that can lead to future success. Our programs take place during peak unsupervised time. Our curriculum nurtures creative expression, develops positive social and emotional identity, and encourages curiosity, collaboration and critical thinking, all through the performing arts.
Beyond youth, nearly one-fourth of adults aged sixty-five and older are considered to be socially isolated. Social isolation was associated with about a 50% increased risk of dementia. Poor social relationships (characterized by social isolation or loneliness) was associated with a 29% increased risk of heart disease and a 32% increased risk of stroke, higher rates of depression, anxiety, and suicide. Immigrants and LGBT higher risk.
Our work directly impacts 500+ youth annually, 60 seniors, and thousands more through performances.
Audience Impact. We currently retain more than 80% of students across all Playlabs, and we generally fill to a waitlist capacity within the first week of open enrollment. Our Spring ‘23 Playlab Performance tour impacted more than 600 local students, school staff, and community members, including several hundred students under the age of ten. Our mainstage productions, concerts and workshops impact thousands annually. We anticipate this will increase to 25,000 with your support. Our direct Playlab impact will increase to more than 500+ youth and 60+ seniors annually.
Artistic & Economic Impact. We prioritize professionalism at every level. We speak to staff as professionals always, never allowing conflict or tension to overrule the joy we share for our mission. We speak to our students as fully-formed humans. We pay all of our staff members and artists professional wages. We encourage our community to value theater and live entertainment as a means of economic development for our community and a worthwhile investment. We encourage our community to value artists as professionals rather than hobbyists, and the arts as a viable career path. (Though we support theater as a hobby too!). With your support we can increase our economic impact to our region by $500k through taxes, ticket sales, volunteer time and wages.
SEL Impact. We know that 100% of all students receive access to acting, improv training, heightened social and emotional competencies, tools for conflict resolution, increased self-confidence, social engagement, and fun and friends. With your support, we will continue our work with Spark Group Consulting to further understand the correlation of our curriculum with our SEL outcomes.
Regional Impact. We know that for more than 30+ hours each week local students, seniors, and families have access to theater programming taught by professionals, for almost thirty weeks out of the year. This will increase to year-round programming with your support. We measure success in healthy partnerships with the Warren Consolidated School of Performing Arts, Wayne State University, Oakland University, Michigan State University, and Go Comedy! where we find teaching artists, creating pathways to preserve the arts in our region. We measure success in our impact footprint; currently we serve students from Ferndale, Royal Oak, Oak Park, Huntington Woods, Lathrup Village, Detroit, Bloomfield Township, Berkeley, Pleasant Ridge, Madison Heights, Hazel Park, Warren, St. Clair Shores, Eastpointe, Harrison Township, West Bloomfield, Clarkston, Sterling Heights and Roseville.
Attribution: This project was supported by15PJDP-22-GK-00946-MUMU awarded by the Office of Juvenile Justice, Office of Justice Programs. Disclaimer: The opinions, findings, and conclusions or recommendations expressed in this presentation are those of the author/s and do not necessarily reflect those of the Department of Justice.
MEET THE TEAM
ARTISTIC DIRECTOR
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CEO/Founding Artistic Director
Named ‘23 Humanities Champion of the Year for the entire state of Michign by Michigan Humanities, and a ‘24 member of Oakland County Together 40 under 40, Tim previously served as Director of Education for the Tony Award winning Barrington Stage Company in the Berkshires, managing the nationally acclaimed Playwright Mentoring Project, recipient of the Coming Up Taller award, the nation’s highest honor in after school arts programming. While working at Barrington Stage he helped develop the now acclaimed Music Theatre Conservatory, a 10 wk program offering intensive training for students ages 18+ in the areas of Performing, Directing and Choreography. His other programs at BSC include an international internship program, providing opportunities to study and train in various theatrical fields, student matinees for local youth, an annual musical for young audiences, and youth performance programs Kids and TeensAct! A total annual impact of reaching 7500 community members.
Prior, Tim served as Director of Education at Lake Dillon Theatre Company (CO). Pioneering the position, he expanded existing program offerings such as the Youth Theatre Workshops, to year round youth programming and launched an in-school professional development initiative for educators, incorporating theatre arts into common core curriculum.
At the college level, Tim has taught workshops in auditioning, various styles of dance, and the business of theatre for PACE University, Boston Conservatory at Berklee and Ithaca College. He taught adjunct for Colorado Mountain College. Prior, Senior Director of Programs, Play Rugby USA (NYC) and Broadway Bound Kids (NYC). As an educator, Cohoes Music Hall (NY), Warren Consolidated School of Performing Arts (MI), Arts Academy in the Woods (MI), STREB Action Lab’s SLAM (NY), Stagedoor Manor (NY), Granbury Opera House (TX), Little Theatre on the Square (IL), The Co-op School (NY).
A graduate of Michigan State University. Former Chair of the Ferndale Arts and Cultural Commission, and volunteer with the Downtown Ferndale Vision Committee.
ARTISTIC ASSOCIATE
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Artistic Associate
Lane is an actor, director, musician, and loves a good spreadsheet. She grew up in New Boston, Michigan forcing her siblings to put on her (allegedly) poorly-written original plays against their will. She graduated from Michigan State University in 2023 with a BA in Theatre and Minor in Arts and Cultural Management, where she worked on over 12 productions, in addition to a turn as Artistic Director for the student run theatre organization, Second Stage Productions. She is grateful to be working for a cause that brings high-quality theatre opportunities to Michiganders who are just like she was, putting on plays in their basement, happily making a mess as long as there is an audience.
MARKETING ASSOCIATE
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Marketing Associate
Eli is a Detroit based, multidisciplinary artist with 10+ years working with youth in performance art and outdoor education environments. He studied Film/Television/New Media & Anthropology at the University of Michigan where he explored interests in multimedia experimental (often interactive) installations, and writing/directing for short film. Eli spent much of his life in Canada where he worked with camps to create live productions, events, and games for large groups and all ages. He has happily become more local and has worked with Michigan Stage since Fall 2022.
MARKETING COORDINATOR
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Marketing and Development Coordinator
Hayley (she/they) is a Detroit-based theater artist, drag queen, storyteller, and marketing manager. Hayley graduated with her Bachelors in Marketing from The Mike Ilitch School of Business at Wayne State University. She has worked with Michigan Stage on and off-stage since 2021 and starred in Michigan Stage’s first main stage production of, “Looking Back Through Stained Glass” which then workshopped a production in New York in 2022. Theatre Credits include: Off Broadway: “Looking Back Through Stained Glass”, an original drag musical premiere. Select Regional Credits: “Evil Dead: The Musical”(Linda, City Theatre) “Broadway in the ‘Burbs” (Performer, Michigan Stage)
MARKETING AND DEVELOPMENT DIRECTOR
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Marketing and Development Director
After growing up in Concord,NH, Annie went to Barnard College in New York City and proceeded to live there for the next 20 years. After an early career working in theater and the performing arts, Annie moved to the marketing sector. Project management in print, digital and live events in non-profits followed as part of her marketing career. After moving to Michigan and returning to arts marketing in the non-profit area Annie thrived in that creative environment and happily brings her talents to Michigan Stage to amplify their voice and platform.
VOLUNTEER/EVENTS COORDINATOR
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Volunteer & Events Coordinator
Alison English is a director, designer, musician, and visual artist that believes in taking fun very seriously. She studied Drama at Clarke University and Youth Leadership with indiAfrique in South Africa. She has 10+ years of experience in theatre directing, event planning and youth leadership including director of ProtoStar Summer Arts Camp, directing and designing whimsical youth and teen productions with a variety of theaters, and directing the world premier of the award winning one act “Grey” by Kirsten Benjamin. She is an active member of the Irish band Ballyheigue, opening for The High Kings and Gaelic Storm, and a synaesthesia artist specializing in abstract watercolors. She joined Michigan Stage in 2023 and is thrilled to be a part of a company that believes "Everyone has something to give; there is no one we don't need."
OUR TEACHING ARTISTS
EXPLORE OUR BLOG POSTS!
Hear from Playlab participants of all ages, professional teaching artists, partners, and more, plus get a greater look into the Michigan Stage community as we continue to expand the boundaries of where theater can take us.
OUR NETWORK GROWS
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Tim Paré, Artistic Director
Karen Krygier, Chair, Chief Client Success & Operating Officer at Patient Education Genius by CoherentRx
Tim Clark, Financial Chair, Regional Vice President, Transamerica
Rob Roznowski, Professor of Acting, Directing at Michigan State University
Elizabeth Lombard, Accessibility Director, Occupational Therapist and Accessibility Liaison, Saline Public Schools
Carly Gaherty, Director, Advisor/Outreach Coordinator, Pittsfield Adult Learning Center
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Isabella Paré, Jeanne and Dave Paré, Bridget Martin, William H. Dixon, Casey Schaffer, Elizabeth Lombard, Karen Krygier, Carly Gaherty, The Clark Family: Tim, Jenny, Gus, Abe and Sam, Ann Pasque, Nathan Marshall, Ken and Nicci Clark, Jon Butler, Lauren Clark, Martina Clark, Martin Mansfield, Tom Clark, Jen Graessle, Rob Roznowski, Sarah Wesolak-Greenson, Steven Paré, Melanie Check, Andrew Pauwels, David Moerlein, Aimee Visperas, Eric Culps, Erin Banner, Carrie Aprik, Tome Aprik, Alex & Steve, Mark Banner, Margie Banner, Tamela Ekstrom, Daniel Cascardo, Taylor Renton, Brooke Nathan, Jared Shirkey, Nick Bussett, Nic Sanginetti, Jeremy St. Martin, Nicole Tersigni, Mary Lou Teceno, Anna Collette, Janie Slavens, David Galli, Joe Rocca, Jamie Wiser, Cassandra Svacha.